ARABESQUE No.1
ARABESQUE No.1 as Practical Project
'Arabesque No.1' is a sculptural work based on Debussy's eponymous piano piece, created from the perspective of craft. Aiming at a new exploration of the physical visualization of music and to present a unique understanding of music through a distinctive mapping system. Working directly from music score to graphic and then to sculpture, isolates the artist's emotional response to the music. Which presents a unique interpretation of 'music' as a form of data.
Music Credit: Ida Tili-Trebicka
'Arabesque No.1' is a sculptural work based on Debussy's eponymous piano piece, created from the perspective of jewellery design. Aiming at a new exploration of the physical visualisation of music, the work involves the specific design of shapes and spaces through the transformation of the music score. The design includes the creation of digital models and the dynamic transformation of design elements - including data, music, physical materials, and space.
The design creates a special 'sonar’ shape-mapping system by curling the music stave. The mapping system relocates each musical note thus creating a spatial pattern with complex interior and exterior spatial graphics. The shapes formed by the main melodic notes create the internal space of the sculpture, while the forms shaped by the discrete notes create the external space of the sculpture.
The physical sculptures are made with laser-cut transparent acrylic, allowing the audience to better observe the intricate internal spatial forms that reveal the music's melody. The physical sculptures are presented in two different forms:
A group of 107 single sheets that are formed by relocating notes through the mapping system. These are presented in a sequential format which shows the complex and subtle melodic variations in each measure.
A tunnel-shaped spatial sculpture was formed by layering the 107 single sheets. This provides the audience with a holistic perception of the internal and external spaces created by the melodic flow of and the integrity of the music.
This work aims to present a unique understanding of music through a distinctive mapping system. Working directly from score to graphic and then to sculpture, isolating the artist's emotional response to the music. Which presents a new interpretation of 'music' as a form of data.
ARABESQUE No.1 as Research Project
The ‘ARABESQUE No.1 project’ is part of a collaborative project rooted in the fields of crafts (contemporary jewellery) and design (data visualisation), and it forms part of a larger cross-disciplinary doctoral research project in practice. This work, grounded in the field of jewellery, aims to use the same design elements ("Arabesque No.1") as a basis. Collaborators from the fields of design (visual) and crafts (contemporary jewellery) uniquely transform it into different forms of artwork (digital and physical) and collect data for the doctoral research project to investigate the cross-disciplinary collaboration process.
Collaborator Information
Rebecca Ruige Xu
Professor, Computer Art and Animation, College of Visual & Performing Art, Syracuse University, USA
Ida Tili-Trebicka
Professor, Applied Music and Performance (Piano), Setnor School of Music, Syracuse University, USA
This work was selected for conference exhibition and conference proceeding publications at the VINCI 2023, and the EAD 2023 conferences.
Related publication through ACM Digital Library:
Ding, D.. 2023. Arabesque No. 1: A new exploration of the physical visualization of music. In Proceedings of the 16th International Symposium on Visual Information Communication and Interaction (VINCI '23). Association for Computing Machinery, New York, NY, USA, Article 48, 1–3. Available at: https://doi.org/10.1145/3615522.3615572
Exhibition Photos form VINCI2023 & EAD 2023
Process Images by Rebecca Ruige Xu
ARABESQUE No.1
Collaborative creative outputs
Visual by Dong Ding and Rebecca Ruige Xu
Piano Play by Ida Tili-Trebicka
ARABESQUE No.1
Collaborative (co-authored) in-progress creative outputs